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V批捆閬頛啁祉 Adobe Flash Player

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Titles嚗Professor
Education嚗Ph.D. in Applied Drama of Theatre Studies University of London, London, U.K
Works嚗 teacher, reseacher, practitioner, diretor, playwright and producer in various Applied Theatre Projects
Specialty嚗 Theory and Practice of Applied Drama and Theatre,Studies Performance Studies,Directing and ActingTheory and Practice,Feminist Theatre Research,Research on Cultural Studies & Performance,Reminiscence Theatre & Oral History Performance
Contact嚗 (06)2600547嚗(06)2606123頧7612
E-mail嚗 carlowa@mail.nutn.edu.tw
Website嚗
https://nutndrama.weebly.com/295792311323481.html
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Wang, WanJung |
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- Wan–Jung Wang (2014).Re–imagining Communities and Implementing Social Learning: Contemporary Community Theatre Development in Taiwan, Hong Kong, and Singapore. RIDE(Research in Drama Education: The Journal of Applied Theatre and Performance), 19 (4), 388–402.
- Wan–Jung Wang. (2014). 'Using Process Drama in Museum Theatre Educational Projects to Reconstruct Postcolonial Cultural Identities in Hong Kong, Singapore and Taiwan'. RIDE(Research in Drama Education: The Journal of Applied Theatre and Performance), 19(1), 39–50.
- Wan–Jung Wang. (2009). “The Subversive practice of Reminiscence Theatre in Taiwan”. In Applied Theatre: International Case Studies and Challenges for Practice. Eds. by M. Rendergast and J. Saxton. Eds. Bristol: Intellect Books.
- Wan–Jung Wang. (2009).” Reminiscence Theatre Crosses Cultural Boundaries through Performance of Memory”. In Planting Trees of Drama with Global vision in Local Knowledge. Eds by Jack Shu, Phoebe Chan, Laura A. McCammon, Allan Owens and Janinka Greenwood
- Wang, Wan–Jung. “Reminiscence Theatre Crosses Cultural Boundaries through Performance of Memory”. IDEA 2007 paper presentation. July,20th. 2007.
- Wang, Wan–Jung. ‘‘The Subversive Practices of Reminiscence Theatre in Taiwan’’. Reseach in Drama Education. 11.1 (Oct 2006): 77–87
London School of Economics and Political Science, LSE, University of London,Border–crossing in Taiwan Culture),Border–crossing from Marginal Position in Postcolonial Reminiscence Theatre–Taiwan and United Kingdom (School of Oriental and African Studies, University of London,London Taiwan Seminar,Gender and Cultural Habitus and Its Potential Subversion Reflected in the Reminiscence Theatre of Contemporary Taiwan. - Wan–Jung Wang(2009). Reminiscence Theater Crosses Cultural Boundaries through Performance of Memory(pp.99–113). Planting Trees of Drama with Global Vision in Local Knowledge: IDEA 2007 Dialogues. Jack Shu, Phoebe Chan(Ed.), Hong Kong: Theatre and Education Forum.
- Wan–Jung Wang(2009). Memory and Transgression form The Subversive Practices of Reminiscence Theatre in Taiwan (pp.171–173). Applied Theatre: International Case Studies and Challenges for Practice, Chicago: Tntellect.
- Wan–Jung Wang. Applied Theatre and Cultural Memory in East and Southeast Asia. Critical Perspectives on Applied Theatre. Cambridge University Press,UK. Apr, 2016: 1(4), 61–81. 2.
- Wan–Jung Wang. “Re–negotiating Confucian Ethics and Re–constructing Multiple Taiwanese Youth Identities in 21st Century ‘Glocal’ Society through Oral History Performance” In Global Youth Citizenry and Radical Hope, New York: Springer, 2020.
- 嚗B嚗潸”隢
- Wan–Jung Wang(2006).The subversive practices of reminiscence theatre in Taiwan. Research in Drama Education, 11(1)甇斗2009撟湔游摧esearch in Drama Education: The Journal of Applied Theatre and Performance嚗銝行2010撟湔搴SCI , AHCI
- 憍摰嫘2008Planting Ideas: Global Vision in Local Knowledge, IDEA 2007 6th World Congress. Research in Drama Education, 13嚗1嚗2007撟游脣嚗湔脩蝜蝚砍剖銝憭扳嚗瘛望閫敹蛛萼函閬典啁亥憭扳撖血啗撖閰隢甇斗2009撟湔游摧esearch in Drama Education: The Journal of Applied Theatre and Performance嚗銝行2010撟湔搴SCI , AHCI
- Wan–Jung Wang(2008). The Exploration of Age Exchange Centre’s Aesthetic Strategies in British Reminiscence Theatre. Research in Art Education. 16(Dec 2008): 109–136
- Wan–Jung Wang(2010).An exploration of the aesthetics of an oral history performance developed in the classroom. Vol.15, No.4, November 2010, 563–577
- Wan–Jung Wang(2010). Transgressive Local Act: Tackling Domestic Violence with Forum and Popular Theatre in “Sisterhood Bound as Yuan Ze Flowers” . Research in Drama Education:The Journal of Applied Theatre and Performance, 15(3). SSCI, AHCI
- Wan–Jung Wang(2011). Making Museum Theatre to Teach Aboriginal History in Taiwan. New Zealand Journal of Research in Performing Arts and Education: NgaMahi a Rehia.
- Wan–Jung Wang, Tam Po–Chi, Byoung Joo Kim and Heng Leun Kok (2013). New Imaginings and Actions of Drama Education and Applied Theatre in NIE4 in Asia. Research in Drama Education: The Journal of Applied Theatre and Performance. (18)1, 79–93.
- Wan–Jung Wang(2014). Using Process Drama in Museum Theatre Educational Projects to Reconstruct Postcolonial Cultural Identities in Hong Kong, Singapore and Taiwan. RIDE(Research in Drama Education: The Journal of Applied Theatre and Performance), 2014 (19:1), 39–50.
- Wan–Jung Wang (2014).Re–imagining Communities and Implementing Social Learning: Contemporary Community Theatre Development in Taiwan, Hong Kong, and Singapore. RIDE(Research in Drama Education: The Journal of Applied Theatre and Performance), 19 (4), 388–402.
- Wan–Jung Wang (2016). Creating Alternative Public Spaces and Negotiating Identities and Differences Through Community Theatre Praxes In Hong Kong and Taiwan. Applied Theatre Research V.4 No.1, Brisbane: Griffith University.
- Wan-Jung Wang, 'Imagining Alternative Futures for Marginalized Communities in Taiwan through Devised Theatre with University Students in Educational and Community Settings', The Routledge Companion to Theatre and Young People. London and New York: Routledge, 2022. Chapter 32. . 'Imagining Alternative Futures for Marginalized Communities in Taiwan through Devised Theatre with University Students in Educational and Community Settings'. The Routledge Companion to Theatre and Young People. (ISBN: 9780367712433). London and New York: Routledge. Oct, 2022: Chapter 32, .
- Wan-Jung Wang 憍摰. 望撠貊蝭潸”嚗蝡蝭蝭’Re-negotiating
- Confucian Ethics and Re-constructing Multiple Taiwanese Youth Identities in 21st Century ‘Glocal’ Society through Oral History Performance’.. A Global Youth Citizenry: Enacting Community-Engaged Research through Performative Methodologies (ISBN: 9789811512810). New York: Springer. Sep, 2020: 89-
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( C )閮潸”隢 - 憍摰嫘2004啁勗敺畾瘞鈭箏餈唳風脣嗅游蝺雿蝵桃頝函頦啗(Border–crossing from Marginal Position in Postcolonial Reminiscence Theatre–Taiwan and United Kingdom)潸”澆急行輻摮賊gLondon School of Economics and Political Science, LSE, University of London嚗颲虫啁頝函閮(Border–crossing in Taiwan Culture)2004撟2
- 憍摰嫘2004啁鈭箏餈唳風脣嗅渡憿閬撖西(The Subversive Practices of Reminiscence Theatre in Taiwan)潸”潸勗舐孵之摮(University of Exeter)脣蝟餉颲虫摮貉霅啜脣湔脩蝛嗯脣雿箔蝔桃冗(Researching Drama and Theatre in Education—Drama as Social Intervention)2004撟4
- 憍摰嫘2012“Using Process Drama in Museum Theatre Educational Projects to Reconstruct Postcolonial Cultural Identities in Taiwan, Hong Kong and Singapore.” 2012/7嚗2012銝脣脣之IDIERI (International Drama in Education Research Institute)嚗曇剖拙◢
- 憍摰嫘2011“Through the Kaleidoscope of Memory– Re–examining Performance of Memory in the Era of Globalization. ” 2013/4/15嚗Speakers – SDEA Theatre Arts Conference 2011嚗啣∼
- 憍摰嫘2013“Re–imagining Communities and Implementing Social Learning:The Comparative Study of Contemporary Community Theatre in Hong Kong, Singaporeand Taiwan. ” 2013/7, Paper presented at the 8th World Congress for International Drama/Theatre and Education Association (IDEA), Paris.
- 憍摰嫘2014“Activating Cultural Mapping and Community Building through Community Theatre Praxes in Taiwan and Philippines by Representing Community Stories and Redefining Communities and Sites. ”2014/5,Paper presented at the International Conference of Mapping Culture: Communities, Sites and Stories, Coimbra, Portugal.
- 憍摰嫘瘞霈瑁蝷曉渲Combating Climate Change and Bridging the Distance through Community–based Theatre Praxes in Philippines and Taiwan.IDIERI 9: TYRANNY OF DISTANCE銝脣脣之嚗2018撟74伐蝝镼輯剖尼剖之摮詻
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嚗D嚗鈭斗 - 2014撟5嚗∟The International Conference of Mapping Culture: Communities, Sites and Stories閮嚗隢潸”
- 2014撟8嚗閮芣交祆曹漪瑹餌憭批飛嚗望雓摨扳雓
- 2016–2020 踹之憭怠憭批飛脩蝛嗆頝典脣脩蝛園瑁撣蝛嗉恬銝行2020撟游蝛塚臬閮思葉摮貉勗箇Radical Hope 望撠詻
- 2021撟湔蝡箏憭批飛脣萎典飛蝟餅銝餉齒蝺銝脣脩閮潸”撠憿瞍雓, 銝餅蝷曉巽IG瑁游極雿銝餉撣園, 隞亙隢潸”湔活鈭怎銝餅鈭箝
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2021 | Creative Intervention of University Community Theatre Course into Community Urgent Issues and Concerns through Applied Theatre Devising and Performance | | Singapore Drama Education Association (SDEA) 2021_ Creative Disruption, Exploring New Ground | 2021/5/22 | 2021/5/30 | -
2023 | Singapore Drama Education Association(SDEA) Bienniel Conference Keynote Speech 'Why Community Theatre is More Uregent than Ever?' | | | | | | 2023 | Hong Kong Documentary Theatre Conference's Panel Discussant and Special Talk DIscussant | | | | | | | 啁 | -
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Locations嚗Rongyu Campus, National University of Tainan | No. 67, Rong-Yu St., Tainan 701, Taiwan TEL嚗+886-6-260-1855 | FAX嚗+886-6-260-1856
Mailing Address嚗No. 33, Sec. 2, Su-Lin St., Tainan 700, Taiwan E-mail(1): Lu, Chi-Hua drama-1@pubmail.nutn.edu.tw
E-mail(2): WebSite Modified嚗2025/4/1
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