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Lin, Wei-Yu
 
Titles嚗Professor&Chair
Education嚗Ph.D. in Asian Theatre, University of Hawaii, USA
Specialty嚗
Traditional and modern theatre in Asia, contemporary theatre in China, application of traditional theatre aesthetics to Asian contemporary theatre, Cambodian classical dance-drama, director studies, performance analysis
Contact嚗
(06)260-0420嚗(06)260-6123#7305
E-mail嚗
linweiyu@yahoo.com
Website嚗
https://nutndrama.weebly.com/265192055329788.html
Lin, Wei-Yu  
Working Experiences
  • 2016-2017 Literature CoordinatorKing Lear嚗Li Liuyi Theatre Studio (凋脣撌乩摰) & National Centre for Performing Arts (摰嗅之) (Bejing)Coproduction
  • 2006-2008  Head of International Affairs, Lin Zhoahua Theatre Studio (舀脣撌乩摰)(Bejing)
  • 2007-2008  Foreign employed teacher in the Internal Cultural Communication at the National Academy of Chinese Theatre Arts(銝剖脫脣飛X脫脫摮貊頂鈭斗撠璆剖隞餃撣)
  • 2006-2008   Associate Professor of the Peking University Theatre Research Institute (鈭砍之摮豢脣蝛嗆潔遙舀冽蝯)

Journal Publications
 
  • Lin, Wei-Yu. “The Continuity and Transitions of the Sinicization of Huaju by the Three Generations of Huaju Directors since the 1950s-the cases of Jiao Juyin, Lin Zhaohua and Li Liuyi,” Journal of Theater Studies. No. 32(2023): 81-130
  • Lin, Wei-Yu. “Mise en scène嚗Performance Event Approaches to Performance Analysis and their Limitations,” Journal of Theater Studies. No. 30(2022): 139-188.
  • Lin, Wei-Yu. “Stillness and Gaze of Contemporary Theatre in China—A Study of Li Liuyi’s “Static Theatre” through his Uncle Vanya and The Cherry Orchard,” Journal of Theater Studies. No. 27(2021): 37-86
  • Lin, Wei-Yu. “Time-space and Acting of Multiple Consciousness ——Li Liuyi’s Pure Theatre and his The Wilderness,” Journal of Theater Studies. No. 27(2019): 69-116
  • Lin, Wei-Yu. “Lv De Shui—Chinese Intellectuals’ Interrogations and Their Tacit Agreement,” Theatre Journal. No. 23(2016): 123-156
  • Lin, Wei-Yu. “Time-space and Acting of Multiple Consciousness ——Li Liuyi’s Pure Theatre and his The Wilderness,” Journal of Theater Studies. No. 12(2015): 133-182
  • Lin, Wei-Yu. “Khon—Thai Mask Dance Drama,” Research in Drama Education & Theatre Studies. No. 7(2015): 101-122
  • Lin, Wei-Yu. “The Turning Points of the Formation of Cambodian Court Dance-drama Traditionfrom Sacredness to Secularity, from Collectivity to Individuality,” Theatre Journal. No. 7 (2013): 145-186
  • Lin, Wei-Yu. “An Apocalypse from Asian Traditional Theatre— Vanishment and Reappearance of Cambodian Court Dance-drama,” Theatre Journal. No. 12 (2010): 95-123
 
Other Publications
  • Lin, Wei-Yu嚗2016嚗.  “Lin Zhaohua’s Innovation of Huaju Acting in The Master Builder,” Staging China: New Theatres in the Twenty-First Century. Ed. Li Ruru. New York: Palgrave Macmillan.
  • Lin, Zhaohua (航)嚗Wei-Yu Lin Xin Xu Ed. (敺擐函楊)嚗2014嚗, Daoyen Xiaorenshu(撠瞍撠鈭箸詻)Beijing嚗zuojia chubanshe.
  • Lin, Wei-Yu嚗2010嚗. “Master in reflection: An analysis of Lin Zhaohua’s The Master Builder.” Ibsen and the Modern Self, Ed. Kwok-kan Tam, Terry Siu-han Yip& Frode Helland. Hong Kong: Open University of Hong Kong Press. 279-297. 嚗瑕撖抬
  • Lin, Wei-Yu 嚗2004嚗.  “Contemporary Taiwanese Performing Arts after 1980.” published in Contemporary Chinese Culture Encyclopedia, London: Routledge. 
  • Lin, Wei-Yu嚗2003嚗銝剖蝚砌雿雓砍游雿摰塚擐祆ㄝ嚗鈭摨西正瞏桐60撟港誨80撟港誨擐祆ㄝ雿園潦梯擐祆ㄝ啣嚗臬摮詻
  • Lin, Wei-Yu嚗2000嚗, Contemporary Community Theatre in Taiwan (嗡誨啁蝷曉氬), Taipei嚗Yanshi Culture.
  • Lin, Wei-Yu嚗1999嚗,  “Community Theatre in name and reality” (蝷曉渡撖艾), The Proceedings of 1999 Symposium of Modern Theatre in Taiwan (銝銋銋銋箇曆誨渡閮隢), Taipei嚗Council for Cultural Affairs. pp.67-114
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E-mail(1): Lu,Chi-Hua  drama-1@pubmail.nutn.edu.tw
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